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Connie Francis is the prototype for the female pop singer of today. At the

height of her chart popularity in the late ’50s and early ’60s, Connie Francis

was unique as a female recording artist, amassing record sales equal to

and surpassing those of many of her post-rock era male contemporaries.

Ultimately, she branched into other styles of music — big band, country,

ethnic, and more. She still challenges Madonna as the biggest-selling

female recording artist of all time. Like Madonna, Concetta Rosemarie

Franconero comes from an Italian American background. Francis started

her music career at three, playing an accordion bought for her by her

contractor father George. Her father’s dream was not for his daughter to

become a star, but for Francis to become independent of men as an adult

with her own accordion school of music. At age ten, she was accepted on

Startime, a New York City television show that featured talented child

singers and performers. The show had no one else who played an

accordion. Its host, legendary TV talent scout Arthur Godfrey, had difficulty

pronouncing her name and suggested something “easy and Irish,” which

turned into Francis. After three weeks on Startime , the show’s producer

and Francis’ would-be manager advised her to dump the accordion and

concentrate on singing. Francis performed weekly on Startime for four

years.

After being turned down by almost every record label she approached,

16-year-old Francis signed a record contract with MGM, only because one

of the songs on her demo, “Freddy,” also happened to be the name of the

president’s son. “Freddy” was released in June 1955 as the singer’s first

single. After a series of flop singles, on October 2, 1957, she undertook

what was to be her last session for MGM. Francis had recently accepted a

pre-med scholarship to New York University and was contemplating the

end of her career as a singer. Having recorded two songs, she thanked the

technicians and musicians, hoping not to have to have to record the third

song her father had in mind, an old tune from 1923. After a false start, she

sang it in one take. When Dick Clark played “Who’s Sorry Now” on

American Bandstand, he told its eight million viewers that Connie Francis

was “a new girl singer that is heading straight for the number one spot.”

“Who’s Sorry Now” was the first of Francis’ long string of worldwide hits. By

1967, she had sold 35 million world wide, with 35 U.S. Top 40 hits, and

three number ones (”Everybody’s Somebody’s Fool,” “My Heart Has a Mind

of Its Own,” “Don’t Break the Heart That Loves You,” and “Stupid Cupid”)

to her credit. 1963’s “In the Summer of His Years,” written as a tribute to

the assassinated John F. Kennedy, remains one of the earliest known

charity records, with proceeds donated to dependents of the policemen

shot during the incident.

Francis has an affinity for languages and was one of the first pop singers to

record her songs in other languages. 1961’s title song from the movie

Where the Boys Are was recorded in six languages. She starred in four

(nondescript) films, sang voice-overs in movies for actresses who could

not sing, and was a guest star on innumerable TV shows. Music critics who

didn’t take kindly to Francis’ pop music years were eventually won over by

her versatility. Her Italian and Jewish albums transformed Francis from a

teenage idol to a mature performer at leading night spots around the world.

She also has a long history as being a composer’s first choice to interpret

songs that went on to become major hits for other artists, including

“Somewhere My Love,” “Strangers in the Night,” “Angel in the Morning,”

and “When Will the Apples Fall.”

1957’s “Who’s Sorry Now” was going to be her final session for MGM. She

ended that relationship in 1969, choosing not to renew her contract when

MGM was taken over by Polydor. She opted instead for domestic life with

her third husband. Francis didn’t return to the recording studio until 1973

when the writers of “Tie a Yellow Ribbon,” longtime friends, wrote “The

Answer” especially for Francis. In 1974, her husband encouraged her to

return to the stage, with disastrous consequences. After her third

performance, she was raped at the hotel she was staying in. Ultimately,

this incident contributed to the end of her marriage. During 1975, nasal

surgery temporarily robbed her of her voice. She was on the comeback

trail in 1981 when her brother, George, was brutally murdered. It took

seven years to determine that through all of those events, she was also

a manic depressive. She finally made her return to the stage and recording

in 1989 and Connie Francis continues to sing to sold-out audiences. She

has recorded more than 70 LPs.

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