Holly Dunn Ringtones

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Holly Dunn - 1001 Ways Ringtone
Holly Dunn - Cowboys Are My Weakness Ringtone
Holly Dunn - Daddy’s Hands Ringtone
Holly Dunn - I Am Who I Am Ringtone
Holly Dunn - I’d Know That Heartache Anywhere Ringtone
Holly Dunn - It’s Not About Blame Ringtone
Holly Dunn - Love Across the Line Ringtone
Holly Dunn - Loving Every Minute Ringtone
Holly Dunn - Rock-a-Billy Ringtone
Holly Dunn - What Kind of Love Ringtone
Holly Dunn - Wonder of Love Ringtone

About Holly Dunn

A singer/songwriter whose eclectic body of work has embraced both

retro-styled honky tonk and tough, bluesy lyrical introspections, Jann

Browne is an artist with the talent to craft a mainstream success –

and the guts and integrity to walk away from Nashville when she

grew uncomfortable with the music industry.

Jann Browne was raised in Indiana and developed a taste for

country music from her grandparents, who were members of

a square dancing troupe that often performed at bluegrass

festivals. However, Browne’s own musical impulses leaned more

toward rock & roll and blues, and as a teenager she began

performing with local rock bands. In the late ’70s, Browne pulled

up stakes and moved to California, where she began writing and

performing new songs with a stronger country influence. After a

brief stint as a vocalist with Asleep at the Wheel, Browne moved

to Nashville, and her material caught the ear of an A&R executive

at Curb Records; in 1990, Browne was signed to the label and

she released her debut album, Tell Me Why, that same year.

Tell Me Why was a surprise success, spawning two hit singles,

“Tell Me Why” and “You Ain’t Down Home,” and earned Browne

a nomination as Female Vocalist of the Year by the Academy of

Country Music. However, Browne — a maverick who felt at home

with such off-mainstream country & western artists as Emmylou

Harris and Iris DeMent, both of whom have recorded with her –

very soon discovered she had little taste for the politics of the

major-label music industry. After her second album, 1991’s Only

When I Laugh, failed to sell as well as her debut, she opted out

of her contract with Curb and moved back to California. Browne

still had a substantial audience in Australia and Europe, and in

1995, she recorded her third album, Count Me In, for Red Moon

Records, an independent label in Europe (it later received an

American release from the independent Cross Three label). The

album displayed a rawer sound that had more to do with blues

and rock than mainstream country, and while it didn’t find a

large audience in the United States, it won a number of

enthusiastic reviews and re-established Browne as a

singer/songwriter with a sharp and distinctive vision. For

her fourth album, 2001’s Missed Me by a Mile, Browne

continued to re-assert her independence by co-producing

the album herself, and releasing it in America on her own

label, Plan B Records. ~ Mark Deming, All Music Guide

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