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About Roy Clark

In the ’70s, Roy Clark symbolized country music in the U.S.

and abroad. Between guest-hosting for Johnny Carson on The

Tonight Show and performing to packed houses in the Soviet

Union on a tour that sold out all 18 concerts, he used his

musical talent and his entertaining personality to bring

country music into homes across the world. As one of the

hosts of TV’s Hee Haw (Buck Owens was the other) for more

than 20 years, Clark picked and sang and offered country

corn to 30 million people weekly. He is first and foremost an

entertainer, drawing crowds at venues as different as Las

Vegas, Atlantic City, and the Opry. His middle-of-the-road

approach has filled a national void, with Clark offering

country that was harder-edged than Kenny Rogers but softer

and more accessible than Waylon Jennings. Among his

numerous vocal hits are “Yesterday, When I Was Young”

and “Thank God and Greyhound.” Instrumentally he has won

awards, for both guitar and banjo. Clark has also co-starred

on the silver screen with Mel Tillis, in the comedy Uphill All

the Way.

The son of two amateur musicians, Roy Clark began playing

banjo, guitar, and mandolin at an early age. By the time he

was 14, he was playing guitar behind his father at local

dances. Within a few years, he had won two National Banjo

Championships, with his second win earning him an

appearance at the Grand Ole Opry. Despite his success as a

musician, Clark decided to pursue an athletic career,

rejecting baseball for boxing. At the age of 17, he won 15

fights in a row before deciding that he would rather be a

musician than a fighter.

Clark found work at local clubs, radio stations, and television

shows. By 1955, he was a regular on Jimmy Dean’s D.C.

-based television show, Country Style. Once Dean left

Washington for New York, Clark took over the show, and over

the next few years he earned a reputation as an excellent

musician and entertainer. In 1960, he decided to leave the

East Coast to pursue his fame and fortune out West. That

year, he became the leader of Wanda Jackson’s band,

playing on her hit singles like “Let’s Have a Party,” as well as

touring with the singer and playing concerts with her in Las

Vegas. Once Jackson decided to break up her band, Clark

continued to play regularly at the Frontier Hotel in Vegas and

through his new manager, Jackson’s ex-manager Jim Halsey,

he landed spots on The Tonight Show and the sitcom The

Beverly Hillbillies, where he played both Cousin Roy and Big

Mama Halsey.

In 1963, Clark signed to Capitol Records, and his first single

for the label, “Tips of My Fingers,” became a Top Ten hit.

Over the next two years, he had a handful of minor hits for

Capitol before he switched labels, signing with Dot in 1968.

At Dot, his career took off again, through covers of pop

songs like Charles Aznavour’s “Yesterday, When I Was

Young” (number nine, 1969). However, what really turned

Clark’s career around was not records, but rather a

television show called Hee Haw. Conceived as a country

version of Laugh-In, Hee Haw began its run in 1969 on CBS.

Roy Clark and Bakersfield country pioneer Buck Owens were

picked as co-hosts. Over the next two years, it was one of

the most popular shows on television. In 1971, CBS dropped

the show because its corny country humor didn’t fit the

network’s new, urban image, but Hee Haw quickly moved

into syndication, where it continued to thrive throughout the

decade.

While Hee Haw was at the height of its popularity, Clark had a

string of country hits that ranged from Top Ten singles like “I

Never Picked Cotton” (1970), “Thank God and Greyhound”

(1970), “The Lawrence Welk — Hee Haw Counter-Revolution

Polka” (1972), “Come Live With Me” (1973), “Somewhere

Between Love and Tomorrow” (1973), “Honeymoon Feelin’”

(1974), and “If I Had It to Do All Over Again” (1976) to a

multitude of minor hits. Though he didn’t consistently top the

country charts, Clark became one of the most recognizable

faces in country music, appearing on television commercials,

Hee Haw, and touring not only the United States but a

number of other countries, including a groundbreaking

sojourn to the Soviet Union in 1976. Frequently, he played

concerts and recorded albums with a wide variety of

musicians from other genres, including the Boston Pops

Orchestra and Clarence “Gatemouth” Brown.

In 1979, the momentum of his career began to slow down, as

he left his longtime label ABC/Dot for MCA. Over the next

two years, he had a number of minor hits before leaving the

label. He recorded one inspirational album for Songbird in

1981 before signing to Churchill in 1982. Hee Haw’s audience

was beginning to decline in the early ’80s, but Clark

diversified his interests by investing in property, minor

-league baseball teams, cattle, publishing, and advertising.

None of Clark’s recordings for Churchill were big hits, and his

brief stays at Silver Dollar in 1986 and Hallmark in 1989 also

resulted in no hits. Nevertheless, Clark had become a

country icon by the mid-’80s, so his lack of sales didn’t

matter — he continued to sell out concerts and win awards;

he even made the comedy Western Uphill All the Way in

1986 with Mel Tillis. In 1987, he was belatedly made a

member of the Grand Ole Opry. During the ’90s, Clark

concentrated on performing at his theater in Branson, MO,

sporadically releasing re-recordings of his big hits on a

variety of small labels, though 2000’s Live at Billy Bob’s

Texas marked his first live release in nearly a decade.

Christmas Memories followed that same year.

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